000			02898nam a2200313 i 4500
001			256384
003			TH-BaBU
005			20250302083349.0
008			200316s2020 ilu fob s001 0 eng d
020			_a9780252051838 (electronic bk.)
020			_z9780252042980
040			_aN$T _beng _erda _cTH-BaBU
050		4	_aPN4784.P5 _b.F75 2020
100	1		_aFrisken, Amanda, _eauthor. _9166007
245	1	0	_aGraphic news : _bhow sensational images transformed nineteenth-century journalism / _cAmanda Frisken.
264		1	_aUrbana, Ill. : _bUniversity of Illinois Press, _c2020.
300			_a1 online resource.
336			_atext _2rdacontent
337			_acomputer _2rdamedia
338			_aonline resource _2rdacarrier
490	0		_aThe history of communication
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction: Sensationalism and the Rise of Visual Journalism -- "We Simply Illustrate": Sensationalizing Crime in the 1870s "Sporting" News -- "Language More Effective than Words": Opium Den Illustrations and Anti-Chinese Violence in the 1880s -- "A First-Class Attraction on Any Stage": Dramatizing the Ghost Dance and the Massacre at Wounded Knee -- "A Song without Words": Anti-Lynching Imagery as Visual Protest in the 1890s Black Press -- "Wanted to Save Her Honor": Sensationalizing the Provocation Defense in the Mid-1890s -- Epilogue: Legacies of Visual Journalism and the Sensational Style.
520			_a""You furnish the pictures and I'll furnish the war." This famous but apocryphal quote, long attributed to newspaper magnate William Randolph Hearst, encapsulates fears of the lengths to which news companies would go to exploit visual journalism in the late nineteenth century. From 1870 to 1900, newspapers disrupted conventional reporting methods with sensationalized line drawings. A fierce hunger for profits motivated the shift to emotion-driven, visual content. But the new approach, while popular, often targeted, and further marginalized, vulnerable groups. The author examines the ways sensational images of pivotal cultural events-obscenity litigation, anti-Chinese bloodshed, the Ghost Dance, lynching, and domestic violence-changed the public's consumption of the news. Using intersectional analysis, Frisken explores how these newfound visualizations of events during episodes of social and political controversy allowed newspapers and social activists alike to communicate-or challenge-prevailing understandings of racial, class, and gender identities and cultural power"-- _cProvided by publisher.
650		0	_aJournalism, Pictorial _zUnited States _xHistory _y19th century. _9166008
650		0	_aSensationalism in journalism _zUnited States _xHistory _y19th century. _9166009
856	4	1	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2339165 _zElectronic Resources
942			_2lcc _cEB
999			_c256384 _d256384